Oscar and the Magi: The British Museum after dark
Friday, June 27th, 2008Oscar had never been up this late before. London didn’t seem to have a bedtime, but the Museum was quiet and dark. The sounds of the nighttime city grew gradually more distant as they passed through the great gates and crossed the courtyard to the pale, dreaming columns of the Museum. Ridley had assembled quite a force, a squad of Knights Errant, trusted Knights Watchmen and Wish Hounds, and Oscar and Maggs, of course, but they made little noise as they climbed the steps to the doors.
Ridley gestured and the doors creaked open slowly, echoing in the hall beyond. They filed in, the claws of the Wish Hounds clicking on the tiled floor.
Ridley held up her hand and they all stopped, straining for a sound in the silence of the empty museum. Oscar could hear a whimpering coming from somewhere close by. Ridley muttered something and the silver tip of her staff started to glow dimly. She swung it and it cast out a beam of blue light, like a torch, shining into a corner of the entrance hall.
There was a man there in an ill-fitting blue security guard’s uniform. He was curled up into a little ball in the corner and when the light hit him he flinched away and moaned under his breath.
“He’s here alright,” Ridley’s voice was low and confidential, “We split into three groups, but we stay in sight of each other, understood? Harker, take the left, Murray, the right, the rest of you with me.”
Murray and Harker, the Knight Watchman from the White Tower, each took three Watchmen and moved away into the shadows. Ridley motioned to Maggs and Oscar to stay close to her as they crossed out of the entrance into the Great Court beyond.
Oscar had been in the museum in daylight but nothing could have prepared him for this scene. The Great Court is an enormous open space in the middle of the museum with a huge round library in the centre of it. It has a curving roof of many panes of glass over it and in the moonlight this cast a net of shadow over the space below.
Ridley moved forward cautiously, going round to the left of the rotunda in front of them. Out of the corner of his eye Oscar could see Murray’s group moving to the right.
Ridley stopped suddenly and pointed. Ahead of them was a doorway in the wall of the Great Court leading into the museum galleries beyond. There was a dim light glowing from the entrance, flickering and changing as if something was moving about in the space beyond.
Ridley made a signal to Harker, who was behind them, and then went forward, towards the door. Oscar had a terrible feeling that he remembered vaguely from nightmares: the sense that there was something horrible ahead that he really didn’t want to see, but knowing that he was going to look anyway. And they were through the doorway and into the gallery.
The shadows were thicker here and it was hard to make out details. Shapes loomed out of the darkness, massive and indistinct. The glow flickered again and brightened and Oscar found himself gazing into the impassive stare of an Egyptian Pharaoh, a granite stare thousands of years away from caring about a small boy in the dark.
And then a shadow fell over them and Oscar looked up to find himself looking at… for a moment he could make no sense of it, a great knot of thicker shadow, a beak, a hand, and then it turned and it almost had a shape, a giant with the head of a bird, stooping through the gloom towards them.
There was a rustle of feathers and cloth and a smell of dust and dry bones and then it was past and Oscar could see it pass on in the moonlight, only half there, the dream of something great and endless.
“Mighty Thoth,” Maggs’ voice trembled in his ear, “The ibis-headed, father of magic…”
Then something else came gliding down between them and Oscar felt something brush his cheek. The scale of it confused him for a moment until he realised that it was a giant hand, reaching down through the darkness.
Then a flesh and blood hand grabbed by the shoulder, pulling him out of the way, and he found himself pulled up against Ridley, her other hand extended, pointing away in the darkness.
“Look! There!”
Even before he looked, Oscar felt the first cold nausea of fear in his stomach and knew that there were Darklings nearby. Ahead of them, in the gloom, was the monumental torso and head of an Egyptian pharaoh, but it wasn’t his wrinkled sneer that rooted Oscar to the spot, it was the tall, thin dark figure perched on the top of his head.
The figure unfolded itself - long and dark in a shapeless black cloak like a swirl of night - and then it turned and leapt away, and, as it went, it split into two, three - shadows that flapped down towards them between the statues, bumping into the stones, fumbling their way towards them, bat-things that seemed not quite to remember their own shapes.
Then there was a flash of silver in the darkness and sharp clang as Ridley swung her sword out sweeping first one, then the other flying thing back into the darkness and the great, dark form of hawk-headed Horus passed over them and hid them from sight.
“Come on! After them! Move!”
She still had hold of Oscar and she dragged him after her as she sprang forward after the Darklings, rebounding off statues and stones as they went, dodging between the ghosts of the ancient gods and the remains of their monuments, the rest of the Magi staggering in their wake.
And they were out of the gallery and bouncing up a flight of stairs into the darkness above.
Ridley stopped at the top of the stairs and finally let go of Oscar. Maggs came panting up behind them, but Ridley gestured to her to be quiet and crept forward. Ahead of her was a dark opening and she stopped on the threshold, listening.
Oscar stood still for a moment, listening himself - there was a sound, somewhere in the gallery beyond, a kind of muffled thudding and thumping.
Ridley gestured and the other Magi moved forward silently to join her, as they padded through the doorway and into the thicker darkness beyond.
The Magi moved so quietly that Oscar soon lost track of where they were around him, concentrating as he was on making as little noise as possible and stopping his borrowed sneakers from squeaking on the tiled floor.
He could hear, however, that the thumping was getting louder and more insistent as they approached. He could hear it clearly now: it was the sound of someone banging against glass. Banging with something soft and padded, he thought. And then he thought: ’someone’ or… ’something’. And then he wished he hadn’t thought that at all, because the noise was now right there: right in front of them: thump, thump. Thump.
And then Ridley’s staff blazed into bright light again and with a thump it was right there: a bundle of dirty brown rags and wrinkled black leather.
Thump: No! A face! Ancient, cured skin pulled tight across crumbling grey bones, a hand wrapped in tattered cloths banging against the glass of a display case, sightless dark eye sockets looming forward out of the shadows.
Thump! And Oscar suddenly realised what he was looking at: an Ancient Egyptian mummy, hurling itself out of the shadows at the glass of the case it found itself shut up in!
Thump! A creaking and a crash and the glass splintered, there was a cloud of choking grey dust and that terrible face came smashing through the case, it’s jaw falling loose in a horrible silent shout, its stiff arms flailing out at them as it lurched forward.
There was a ringing, bright flash and Ridley’s sword arced forwards in the bright light. The mummy’s head suddenly leapt upwards and backwards, cut off from the body, bouncing off the display case and landing at Oscar’s feet. He jumped back instinctively, straight into Maggs, who pulled him away from it as the mummy’s body came fumbling forward, trying to find its missing part.
And then all around them came the scraping and creaking of sarcophagi lids and a louder and louder thumping and cracking of glass as the Mummies of the British Museum came shambling back to life.
“Fall back! All of you, fall back!” Ridley held her staff high above her head, walking carefully backwards back towards the door. Shuffling backwards before her, Oscar could see that the whole room was alive with shadows in the wan light.
Mouldering, leathery faces, ghostly grey, came lurching between the display cases, reaching blindly for the Magi and at their feet, tottering along, came the Canopic jars, containing the inner organs of the mummies, their animal heads snapping as they bounced.
Then something musty and suffocating was clasped over Oscar’s mouth and he was pulled sideways almost off his feet, and, all of a sudden, the room twisted and changed. The light became redder, flickering, hieroglyphics scattered up the walls like insects and a murmuring of some whispered incantation filled his ears.
Then there was a shout and hiss of steel and he was back in the museum, a mummy’s arm lying at his feet and Sir Edward Harker hacking its owner into pieces at his side. Then Maggs hustled him back through the door onto the landing into the safety of the waiting Magi.
Ridley came through after them, now frantically slashing at the ancient bones reaching out for her from the darkness beyond.
“Harker - you and your men try and hold them off: we can’t let ourselves be distracted. Lattimer, take that door, this way, you lot.”
Oscar had been aware of someone chanting in the darkness and now there came the clank of armour and the sound of sandals on stone. He turned to look in time to see the crested helmet of a Greek hoplite come bobbing though the doorway. Below it, somewhere, a bronze breastplate glinted and a short sword swung. Behind it another followed, and another, marching to the call of the Magi.
In the dim light Oscar could almost see a shadowy form under the armour, the vague outline of a face, of a body, the memory of some fallen Greek warrior, thousands of years gone, striding back from the past into battle against the shambling hordes of dead kings.
But Oscar didn’t have a chance to see this mighty clash: Ridley grabbed hold of his arm and pulled him after her into a different gallery.
“Come on, after me!” Ridley was walking as quickly as she could, trying to give Oscar a chance to keep up with her, “They’re trying to distract us, slow us down, throw us off the scent, we can’t let them get away from us this time…”
Someone was panting in Oscar’s ear and he looked round to find Maggs jogging up behind them, trying to keep pace, “Don’t worry about them getting away from us, worry about us getting away from that sphinx…”
Ridley turned on her, “What sphinx?”
Something roared in answer and then there was a deafening crash as a huge, bearded stone head swung in through the door lintel in a cloud of dust and flying splinters and roared at them again.
“Murray!” Ridley shouted over her shoulders, “Hold this gallery!”
The was the sound of something breaking and Murray yelled something out in reply that Oscar couldn’t understand and was in turn replied by a shout and a clash of arms. Oscar turned to see him standing, grinning, as a crowd of Roman legionaries sprang from the display cases around him, rattling their short swords on their shields. In the darkness Oscar could almost see their faces, but where the moonlight fell on them, they were just ghosts and he could see straight through them to the display cases on the far side of the room.
Murray shouted orders in Latin and the legionaries replied, their voices distant and tinny like the echoes from the bottom of a well. The sphinx roared again, shaking itself, trying to fit its ponderous stone bulk through the doorway as the Romans closed in and Ridley dragged Oscar out of the gallery to the sound of sword on granite.
The sounds of fighting faded behind them as they ran on through the dark and solemn galleries, until they came to a corner room where the quiet shadows were thick and Oscar could hear water somewhere, splashing gently.
Ridley made for the far door but was stopped by a Magi who came staggering through it, waving her back.
“Vikings,” he wheezed and stopped, leaning against the doorjamb to get his breath back, “Vikings, Saxons, Knights, Romano-Celtic Cavalry: it’s chaos down there - we’re holding the head of the stairs but it’s pretty hairy. Literally hairy, actually, with those Vikings.”
Ridley went to push past him.
“They’re trying to hold us back: we have to push through…”
“No!” Maggs had grabbed hold of her sleeve and was holding her back, “You can’t take the boy down there, it’s too parlour… pearly… dangerous!”
“Look, Maggs, they’re obviously trying to delay us…”
“Well, it’s working. I’m not taking Oscar down there. Not until its safe.”
“Alright - you stay here with the boy: we’ll try and find a way…”
“You can’t leave us on our own here, what if they come back?”
“Wait a minute, that’s it!” Oscar grabbed hold of Ridley’s other sleeve, “If we can’t get to the Darklings, why not get them to come to us?”
“Oscar!” Maggs was shocked, “Even if we could do such a thing, why would we want to?”
“Because it’s an excellent idea,” said Ridley, firmly, “What’s the plan, Oscar?”